Innovation

ANOTNIA REED, EWART DEWGARDE, WALTER DEWGARDE JR., ANTONIO REED, WALTER DEWGARDE

First verse

Flam, combustion thrustin' new versions of verses over kids heads like

halos bendin' ney brain cells like indo "n-o-va-shun' definition

different renditions of creations sorta like what I'm doin', style

that I'm usin' - wordsmith meets rap fusion if that's a category fit

for grammy like Source Awards then com-pet-tit-tors bet-tor look out

like Pack Jam once I record - "n-o-v-a-shun" the first, to influx

information no relation to wackness instead pedantic - combating prose

with passionate passages surpassing the realm of gun to-ting savages

however able da serve them like Mr. Belvedere once confronted, they

don't ever want it 'cause I got my Freestyle Fellowship membership but I

will still get fit to, Ace-ya-alone - (I)"nn-o-va-shun"...

Second verse

Presentation "ori-gi-nile" - ways of thinking "ra-shun-nile" ready for

consumption to each one suckered in or rather lured by each lyric

contoured to thee com-plexity of "n-o-va-shun" I,"nn-o-v-a-shun"

bi-coastal vernacular enables one to become, a-phenomenon - a -

"sen-sa-shun" ac-com-pa-nee-ing pa-rump-pa-pum-pums - "n-o-vashun"...

Third verse

Finer degrees or shall I say meters of rap and poetry combine to make

this one topic of discussion, you heard dat shit "n-o-va-shun"

Bahamadia must be one of tha last pioneers in captivity, linking vocal

tones and microphones to holy matrimony, each song composed in ritual

ceremonies - for sight exceeds that of modern day prophet Rambonie,

(I)nn-o-va-shu-n-o-va-shu, I-"nn-o-va- (pause) shun".

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